The first time we saw Behemoth, we remember leaving the venue thinking about the crowd almost as much as the band. Some people looked completely blown away. Others looked unsure what they’d just witnessed. That’s Behemoth’s sweet spot. They will scare the hell out of you, fill you with wonderment, all in the same show. 

A lot of bands use religious imagery because they know it’ll get a reaction. Behemoth has built an entire career around creating an atmosphere that feels genuinely uncomfortable at times. The stage production, the imagery, the way Nergal commands a room, it all feels less like entertainment and more like you’re watching something you probably weren’t supposed to stumble into.

Now the Polish extreme metal veterans are back with a new release titled I, Scvlptor, arriving September 4, 2026 through Massacre Records and Nuclear Blast Records.

The title track debuted this week alongside a new video created by Grupa 13, a production team that has worked closely with the band for years. The cover artwork was once again handled by longtime collaborator Bartek Rogalewicz of LODGE.BLACK.

https://youtube.com/watch?v=NzilD6L6P1k%3Fsi%3Do6qXXy2k8GhJaj0u

Speaking about the song, Nergal said:

While I, Scvlptor isn’t being presented as a full studio album, fans shouldn’t dismiss it as a simple collection of leftovers. The release contains material that has never been heard before, along with new recordings that reach all the way back to Behemoth’s early years.

Nergal explained:

What caught our attention immediately was the inclusion of newly recorded versions of Rise of the Blackstorm of Evil and “In Thy Pandemaeternum.” If you’ve followed Behemoth since the early days, you already know those titles carry some history. The release also includes a Venom cover featuring Shagrath of Dimmu Borgir and a Bathory tribute featuring Sakis Tolis of Rotting Christ. That’s the kind of lineup that gets old school extreme metal fans reaching for their wallets before they even hear the songs.

Collectors already know how this goes. You tell yourself you’re buying one version, then suddenly you’re trying to justify three different vinyl variants and a box set.

The Behemoth webstore is offering a Blackstorm White/Black Splatter LP limited to 700 copies along with the Lord Ov the Horizons White/Black Half-And-Half with Gold Splatter edition, also limited to 700 copies and reportedly running low.

A Liquid LP limited to just 100 copies has already sold out, as has the Deluxe CD Digibook limited to 500.

Massacre Records is also offering an I, Scvlptor box set limited to 550 copies that includes an exclusive Black/White Splatter LP, CD, mini cassette, signed art print, and T-shirt.

As if the new release wasn’t enough, Behemoth will spend October on the road with Dimmu Borgir and Dark Funeral for the In League With Satan Tour.

Seeing Behemoth and Dimmu Borgir sharing a bill feels like something that should have happened years ago. Add Dark Funeral to the mix and you’ve got a tour built specifically for people who spent the late 90s and early 2000s digging through extreme metal bins at record stores.

Tour Dates

I, Scvlptor arrives September 4. Until then, the title track is already available, and if it’s any indication of what’s coming, Behemoth still isn’t interested in playing it safe.

By Sam Santiago

Samuel Santiago is the founder and Editor in Chief of TrulyDisturbing.com. A lifelong horror fan and pop culture enthusiast, he has spent more than 20 years covering the worlds of horror, film, television, gaming, collectibles, and the paranormal. His work has included news reporting, reviews, interviews, convention coverage, and in depth features from events such as San Diego Comic Con and Halloween Horror Nights. Known for his passion and honest voice, Samuel has built a career celebrating both major studios and independent creators while keeping fans at the center of every story. Whether covering the latest horror release or revisiting a forgotten cult classic, his goal is to inform, entertain, and share the excitement that has fueled his love of pop culture for decades.

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